Early Modern Songscapes

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Identifier
61220/utsc76553
Linked Agent
Publisher: UTSC Library
Researcher: Katherine Larson
Researcher: Scott Trudell
Researcher: Sarah Williams
Programmer: Raffaele Viglianti
Contributor: Chad Crichton
Contributor: Gavin Alexander
Contributor: Gina Bloom
Contributor: Patricia Fumerton
Contributor: Bruce Smith
Contributor: Jacqueline Wylde
Contributor: Rachel Stapleton
Contributor: Matt Fink
Musician: Rebecca Claborn
Musician: Luca Harris
Recording engineer: Dennis Patterson
Date Created
2018
Place Published
University of Toronto Scarborough Library
Language
Resource Type
Description
Early Modern Songscapes is an archived version of the "Early Modern Songscapes: English ayres & their dynamic acoustic environments" website. The website was an interdisciplinary and collaborative project focusing on sixteenth- and seventeenth-century English song. This archived site contains web content, including text, images, video, audio, interactive annotated editions of songs from a 17th century songbook, and URLS for internal links from the "ems.digital.utsc.utoronto.ca" domain.

The "Early Modern Songscapes" website mapped changes in music and lyrics across space and time with a focus on "ayres," songs that emphasize the clear communication of text and that typically include instrumental accompaniment. The website contained, Text Encoding Initiative (TEI) and Music Encoding Initiative (MEI) editions of a selected corpus of early modern songs, together with audio and video recordings of those songs in performance. It was a resource for teachers, researchers, and practitioners provides insight into the movement of song across diverse textual and performance contexts.

The project represented all songs included in the first book of Henry Lawes's Ayres and Dialogues, printed in 1653, which exemplifies the period's synergy between poetry and music. In engaging with this collection, the Early Modern Songscapes project prioritized encounters with the fragmentation and ephemerality that characterized the song culture of this period—providing multiple versions of individual songs (including in recording) and emphasizing how a particular song might have appeared in various guises and contexts ranging from the household to the stage.

The project was directed by researchers from University of Toronto, University of Maryland, and University of South Carolina and co-developed by University of Toronto Scarborough and University of Maryland.
Physical Form
Extent
1 item
Rights

Digital files found in the UTSC Library's Digital Collections are meant for research and private study used in compliance with copyright legislation. Access to digital images and text found on this website and the technical capacity to download or copy it does not imply permission to re-use. Prior written permission to publish, or otherwise use images and text found on the website must be obtained from the copyright holder. Please contact UTSC Library for further information.

Geographic Subject
Temporal Subject
Note

The variant pop-up annotations for editions can only be viewed when the viewer is set to full screen (using the 'monitor' icon in the top left of the viewer). These annotations are present in the following editions:  "Come heavy Souls," "Theseus, O Theseus," and "Venus, redress a wrong."

If an audio or video file is displaying an error when clicked to play, refresh the cpatured web page using the circular arrow icon in the top left of the viewer. If this does not work, wait a minute and try again. It may take a couple of attempts depending on the size of the file.

6 embedded Youtube videos have been captured in addition to the contents of the website itself. External web pages and content are included only in this limited capacity. Although, URLs for external links remain as part of the structure of the website.

If you encounter issues outside of this case when accessing captured content contact UTSC Library at dsu.utsc [at] utoronto.ca for assistance. 

Date Captured
2023-10-31
Schema Type
Creative Work

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